Premonition

We (Debbie, Debbie’s sister Jacqueline and I) decided to take a trip to the cinema to watch “Premonition“. Although I’m not adverse to Sandra Bullocks admittedly aging ‘girl/woman/OAP-next-door’ charms, I wished we’d had a premonition and stayed at home.

Firstly, two things really stood out. Sandra Bullock’s nipples. Yes, her nipples were easily the best thing in the entire film. They stole every scene they were in. I wouldn’t be surprised if the DVD has an entire extra feature dedicated to them where veteran special effects guru Stan Winston goes into detail how he created them and the technical wizardry that went into remote controlling them. It should be noted that both nipples were never on show at the same time. Sometimes it was the left, sometimes the right. This may have been due to budget constraints. I guess we’ll learn more when the DVD comes out.

The rest of the budget may have been blown on Julian McMahon’s eye-brows. His overly plucked brows looked like two perfectly formed caterpillars sleeping snugly on his brow. It is as bizarre as his constant vest wearing in the film like some overly manicured lothario poncing for business.

Anyway. The film is based on the titular premonition Linda (Sandra Bullock) has which involves a one-on-one fight pitting her husband Jim (Julian McMahon) against a 400 tonne truck. He loses. She loses her mind. The end.

Well, not quite. You see, she appears to bounce around in time like an over-inflated space hopper in a plot that gets thinner by the minute and contains a few plot holes. We’re not talking about niggly little things your Star Trek obsessed friend would be too embarrassed to bring up at a convention, we’re talking huge cavernous holes that the entire story falls into and can’t climb out of.

Here goes nothing…

WEDNESDAY
It’s Wednesday. She takes her two girls to school. She’s putting cute bee stickers on the huge glass plated french doors in her house. She notices a message on her answer-phone. She plays it. It’s her husband. He blathers on about “meaning what he said in front of the girls”. She’s confused. ‘What could he possibly mean?’, she muses as she does her laundry.

There’s a knock at the door. The state trooper doesn’t ask to come in. Doesn’t offer to make her a cup of tea and doesn’t ask her to sit down. No sirree! He blurts out that her husband has DIED in a TERRIBLE CAR ACCIDENT. He then leaves her at the door as he whistles a nice tune on the way back to his squad car. OK. He wasn’t whistling but he clearly didn’t give a shit that Sandra Bullock has just been told that her old man has just bought, and moved into the farm.

It’s still Wednesday. She’s shocked. Who wouldn’t be. The policeman was plain rude. Her mother turns up. She takes a photo of their wedding day and curls up on the sofa for a nice little sleep.

SOME OTHER DAY THAT’S BEFORE WEDNESDAY
Linda wakes up and goes downstairs. Jim is downstairs eating Cheerios. Linda is confused. Is it a ghost? Has she gone mad? So relieved is she that her husband is still alive she barely mutters two words to him. The day continues. She puts out some washing on the line and falls into a dead bird. Honestly, don’t try and make sense of that - it’s pointless. She goes to bed and stares, like a crazy person, at her still-breathing husband.

SOME OTHER DAY THAT’S AFTER WEDNESDAY
Linda wakes up. There are blankets over all the mirrors. She notices crushed up lithium in the sink. She goes downstairs. It’s her husbands pre-funeral breakfast! He’s dead again! She’s confused. One of her children has horrific stitches over her face! Apparently the doctors decided to use black sutures and no dressings for amazing comical effect! How did she get those horrific injuries? I don’t know and neither does old Sandra who by now is flipping through the rest of the script in her trailer thinking why on EARTH did I sign up for this?

They go bravely to the funeral. Unfortunately for her, she chose the Chuckle-Brothers Funeral Home. She’s outside the church. The coffin is still in the car. She demands to see the body. The nice funeral-director lady tells her she can’t because her husband’s body isn’t too purdy. The Chuckle-Brothers unload the coffin and drop it! Yes, they drop it! In a hilarious black comedic moment the casket comes open and HIS UNATTACHED HEAD ROLLS OUT FOR NO REASON WHAT-SO-BLOODY-EVER! Sandra almost pukes, someone throws a coat over the head (boy, that’s gonna stain).
At the burial, she notices a blond woman half peering out from behind a tree like some kind of weird sexual pervert. She walks over and confronts her. Blond woman says they met the day before. ONLY SANDRA HASN’T. Yet. Possibly!

SOME OTHER DAY THAT’S BEFORE WEDNESDAY BUT AFTER THAT OTHER DAY I TALKED ABOUT
She wakes up. Jim is in the shower! He’s not dead again!
She goes to see the doctor who prescribed her the lithium. It’s whats-his-name-the-Russian-from-Armageddon. He blabs on a for a bit and tells her he’s never seen her before in his life.
Later in the day it starts to rain and Sandra tells her kids to help her get the washing in. One of the kids is too lazy to open the french doors and hurls herself through them cutting up her face on the smashed glass. AHA THAT’S HOW SHE GOT THE CUTS.
Jim meets her at the hospital and .. HANG ON A MOMENT. Jim is alive. Their daughter got all cut up. HEY! When Sandra told her kids that daddy has gone to play with the angels SHE DIDN’T HAVE ANY SCARS ON HER FACE! Didn’t anyone notice this when they read the script?

AUDIENCE STARTS LOSING THE WILL TO LIVE
This is where it gets really crazy. See, good films like “Memento” keep you guessing right up to the end. You’re there with the characters trying to figure out what’s going on. With this film it’s all I can do to stop myself from standing up shouting “Oh, what bullshit” before flouncing majestically from the cinema as I’m cheered by the rest of the audience for vocalizing their feelings.

Anyway. Sandra is now taken away by the men in white coats and sent packing to the looney bin where she’s held down and beaten repeatedly for allowing this travesty of a motion picture to be funded. The audience are miming every blow for wasting their money on this trite pile of crap.

This is never explained, by the way. She bounces around in time some more after this event but is NEVER AGAIN in the looney bin. It’s not justified anywhere in the rest of the film. The writer probably assumes most would have left the cinema by now and wouldn’t care.

Back to the film: Linda wakes up and Jim’s still alive. And quite honestly I can’t wait for him to die because I need to pee and I’m bored rigid. I’ve run out of Strawberry Starbursts and the lady next to me is eying up my pile of wrappers with disgust.

Sandra decides that the film is confusing everyone and makes a nice little chart of the week and completes all the events that have happened in an attempt to consolidate a plot which has totally crumbled into farce.

Apparently old Jim-boy was going to have an affair with the blond woman perving at the funeral. She’s his boss, we learn. It must be noted that he was only THINKING about it. They hadn’t actually done the horizontal mumbo at this point.
Sandra is now thinking “Hmm. If he did have the affair then perhaps it’s better that he died”. Her reasoning - and this was actually in the script “Well, imagine the pain it would have caused the girls!”.
Holy sweet Gingerbread-Jesus. Sandra Bullock’s character would rather have her daughters suffer the tragic pain of having their father BEHEADED IN A FATAL CAR ACCIDENT than learn that their daddy MAY have had an affair. What kind of sick bastard is she?

Anyway. She goes to see her Father. Not the man who helped conceive her, no - her priest. Father O’Stereotype. She explains that she needs help. I need to pee and get my money back. The lady next to me really needs to stop staring at my wrappers. Yes I really ate all of those - get over it.
Father O’Whatever has this book with all the pages he’s about to flick through marked with yellow post-it-notes. Why? Who cares. He goes on about people in the past having Premonitions - some were right, some were wrong. He injects some quasi-religious bullshit about “having to fight for what’s worth fighting for” whatever that’s supposed to mean. He says, and I quote this verbatim: “History is filled with unexplained phenomenon”, he then adds, helpfully “No one knows why”. BECAUSE THEY’RE UNEXPLAINED YOU IDIOT. Talk about over-egging the god-awful pudding.

Anyhoo. Sandra decides that allowing her husband to die really is a bit mean and decides to stop it from happening. She’s fighting for what is worth fighting for. Great. Just die already or I’m going to pee myself.

Jim is in his car. A rather sad looking Ford compact. He’s making a call. He gets his own answer-phone at home. He leaves a message. Aha! It’s the message that we hear at the beginning of the film - like anyone actually cares at this point. Linda is now behind him in her car. A huge 4×4 no-less. She probably has a bigger trailer than him too.
She gets him on the phone and tells him that she loves him. She gets him to pull over so they can “sort things out”. He does. She notices that he’s parked at the “220 Mile” marker which is where the accident happened.

Jesus. The audience didn’t need a premonition to see what’s going to happen next.

She looks scared. She tells Jim to turn the car around NOW DAMNIT. He does. He stalls it IN THE MIDDLE OF THE ROAD. A panicked Linda tells him TO MOVE IT DAMNIT. He can’t start the car!
In the distance we see a 400 mega-tonne truck coming!
Cut to Linda “Get out of the car!”
Cut to Jim attempting to remember how the door handle works.
Cut to the truck, still some way off.
Cut to Linda screaming.
Cut to Jim attempting to open the door still.
Cut to the truck. Still quite far away it has to be said.
Cut to Linda screaming.
Cut to camcorder style footage of their wedding day.
Cut to the truck.
Cut to Jim.
Cut to Linda.
Cut to montage elements from the film showing Jim as a good dad.
Cut to the truck still miles away.
Cut to…
You know, this is THE longest car accident I’ve ever witnessed.
Cut to Linda crying.
Cut to Jim still struggling with the door.
Cut to the truck which now starts to jack-knife for no good reason.
Cut to Linda screaming.
Cut to Jim frantically scrabbling at the door handle.
Seriously, just hit the damned car already.
It does. There’s an explosion. Bits of Jim fly in all directions. I made that last bit up.

Linda looks shocked and confused and hurt. She caused this! Oh the irony. Oh, we didn’t see that twist coming.

She wakes up. She’s pregnant with Jim’s child. As if that makes it all better. The end. Thank god.